Sigma 14-24mm F2.8 - Long Term Review
This is a hard lens to leave at home. It delivers quality and sharpness for landscapes and the night sky, plus has a neat party trick with rear pocket for ND filters. Worthy companion to any full-frame mirrorless camera. (Sigma 14-24mm f/2.8 DG DN)
20mm is the new 24mm
20mm is now far more common than ever for both primes and zooms, but is 18mm the better option for photographers? And why even bother with 24mm? When shooting wider than wide does it make a difference to buy an extra few mm of perspective?
Rokinon 14mm DS T3.1 CineLens
A seriously affordable astro photography lens to help you chase stars, auroras and ultra wide landscapes.
The Best 35mm Lens for My LUMIX
If you appreciate the value of a 35mm prime lens, you’ll also appreciate that there are a good many 35mm designs to choose from now. Here are my favourite two 35mm lenses from Panasonic and Sigma, both for full-frame L-Mount bodies, and why they appeal to such wildly different photographic styles.
Sigma 28-105mm F2.8 DG DN ART
I’ve had a chance to shoot with the new Sigma 28-105mm F2.8 DG DN Art over recent weeks, and explore the light and shadows on Melbourne's streets. This is not a one-size-fits-all lens, but a very professional mid-range zoom that delivers a bright and contrasty image.
Silver on a Cloudy Day
A good tripod and very slow shutters combine to make a little silver from a cloudy day. So long as you don't mind getting your feet wet, or that tripod.
The Perfect Lens and Why They Dont Exist
When it comes to lenses there is no such thing as one-size-fits-all. You have to try a lens before you know if it really suits you, and sometimes you grow out of the old one and move onto something new. just like us photographers, no lens is perfect.
Soft Focus and Fine
Shallow depth of field is a powerful technique to have in your creative tool kit. It’s not just about funky portraits either, it’s good for almost every genre of photography.
Sigma 14mm F1.4 Field Review
This is my new favourite lens for the Arctic. It’s not just for stars, and not just auroras. It’s also a creative lens choice when you want to do something a little bit different with landscape photography.
The Absolute Best Lens in Nepal
Very rarely a new lens comes along that changes how I think about photography. This is one of those lenses. My priority for glass is always quality over convenience, but this time you get enough of both to make it a hard one to walk past. The newly released "DG Vario-Summilux 10-25mm f/1.7 ASPH" by Panasonic+Leica is not only a great lens for MFT systems, but may well be good enough to tempt full frame owners to look seriously at adopting the smaller mirrorless format of the Lumix G series.
