Ultra-Wide

The Photography Blog

20mm is the new 24mm

20mm is now far more common than ever for both primes and zooms, but is 18mm the better option for photographers? And why even bother with 24mm? When shooting wider than wide does it make a difference to buy an extra few mm of perspective?

Sigma 14-24mm F2.8 - Long Term Review

This is a hard lens to leave at home. It delivers quality and sharpness for landscapes and the night sky, plus has a neat party trick with rear pocket for ND filters. Worthy companion to any full-frame mirrorless camera. (Sigma 14-24mm f/2.8 DG DN)

Auroras and The Lumix G9

Big auroras with a very small camera. The key is choosing the right lens, something ultra wide and ideally with fully manual operation.

Be Positive About Negative Space

Negative Space is not empty space. It's there for a reason and it can help you find a path to better composition and more intentional composition.

Rokinon 14mm DS T3.1 CineLens

A seriously affordable astro photography lens to help you chase stars, auroras and ultra wide landscapes.

Sigma 14mm F1.4 Field Review

This is my new favourite lens for the Arctic. It’s not just for stars, and not just auroras. It’s also a creative lens choice when you want to do something a little bit different with landscape photography.

Benro GX35 Ball-Head Review

Quality yet affordable option for full-frame cameras if you're looking to swap out your old ball-head for an Arca-Swiss alternative.

The Perfect Camera Bag

Getting the right bag to cradle your kit is not easy. Comfort, space and security are hard to balance. For a decade I've travelled with one pack and one pack only. All that changed with the Flipside 300.

Sigma 28-105mm F2.8 DG DN ART

I’ve had a chance to shoot with the new Sigma 28-105mm F2.8 DG DN Art over recent weeks, and explore the light and shadows on Melbourne's streets. This is not a one-size-fits-all lens, but a very professional mid-range zoom that delivers a bright and contrasty image.