Tamron Got It Covered
The Tamron 20-40mm F2.8 and 35-150mm F2-2.8 narrow the gap between primes and zoom. I didn't think I'd like these new lenses from Tamron so much, but the fact is every time I took them out to shoot I ended up with a tonne of great images. That’s a little bit annoying for a prime lens snob like myself.
Tamron 35-150mm F/2-2.8 Di III VXD
I travelled in the Himalayas for a few months in late 2023 with this lovely lens. If you're interested in more than just tech specs, and what it's like to work with this lens for an extended time then you've come to the right place.
20mm is the new 24mm
20mm is now far more common than ever for both primes and zooms, but is 18mm the better option for photographers? And why even bother with 24mm? When shooting wider than wide does it make a difference to buy an extra few mm of perspective?
Sigma 28-105mm F2.8 DG DN ART
I’ve had a chance to shoot with the new Sigma 28-105mm F2.8 DG DN Art over recent weeks, and explore the light and shadows on Melbourne's streets. This is not a one-size-fits-all lens, but a very professional mid-range zoom that delivers a bright and contrasty image.
My Other Birding Lens
Panasonic Leica DG Elmarit 200mm f/2.8 – Long term review of this superb telephoto prime. How does it stand up to the 100-400mm options and how much better is the image quality?
The Perfect Lens and Why They Dont Exist
When it comes to lenses there is no such thing as one-size-fits-all. You have to try a lens before you know if it really suits you, and sometimes you grow out of the old one and move onto something new. just like us photographers, no lens is perfect.
The Best 35mm Lens for My LUMIX
If you appreciate the value of a 35mm prime lens, you’ll also appreciate that there are a good many 35mm designs to choose from now. Here are my favourite two 35mm lenses from Panasonic and Sigma, both for full-frame L-Mount bodies, and why they appeal to such wildly different photographic styles.
The Absolute Best Lens in Nepal
Very rarely a new lens comes along that changes how I think about photography. This is one of those lenses. My priority for glass is always quality over convenience, but this time you get enough of both to make it a hard one to walk past. The newly released "DG Vario-Summilux 10-25mm f/1.7 ASPH" by Panasonic+Leica is not only a great lens for MFT systems, but may well be good enough to tempt full frame owners to look seriously at adopting the smaller mirrorless format of the Lumix G series.
