Capture One Turns Five


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Capture One Turns Five
It often surprises my travellers to learn that I don't use Lightroom to process my RAW files. I don't use Aperture either. My choice might seem eclectic at first but my loyalty to Capture One has rewarded me many times over. Find out how.






Capture One is a RAW file processing package designed by PhaseOne to make the most of their unique digital backs and cameras. Thankfully you don't need to spend $50,000 on a camera to play with the software - PhaseOne release profiles that work with a wide range of Digital SLR cameras too. I became of fan of the software because it offers more efficient processing with equal if not better image quality.

Most of us tend to stick with what we know, it's human nature. I began using Capture One long before the Adobe and Apple even got interested in the market, so I probably have a bias on the subject. One bias I will admit is a desire for leaner software that doesn't slow down my computer with features I don't want or need. Capture One works so well because it's dedicated to the job and wasn't designed by a marketing team.

Capture One won't design a wedding album, doesn't present slideshows and is terrible at making a website. In fact the most recent version only just added support for removing dust-spots. With that new feature I now have no further use for Photoshop. That makes me happy.

The fundamentals of Capture One's design is RAW workflow. The package gives you a series of tools to address image exposure, colour balance, sharpness, distortion, etc. You tweak and tune the image settings and then add that file to the processing queue. Output to JPG or TIFF is handled either as you drop files into the queue, or you can run the queue as a batch process when you're all done.

I wont go into the details of all the software features (read their website for that), other than to state that everything you need is there. Dynamic range manipulation, exposure compensation, cropping and rotation, preset adjustments, loading basic meta-data, advanced copy and compare facilities and more.

The other question that experienced RAW workflow users want to know is how does Capture One handle the database of changes to each file. No decent RAW package would actually change the original RAW file, so the modifications have to be stored in a separate location. Capture One creates a subfolder alongside the RAW files being edited into which it stores the encoded modifications plus a low-res preview file the represents how the final file will look when processed.

The advantage of this is profound for me. I can be on the road travelling and make all my initial optimisations, drop the folder of RAW files onto an external disk and continue working on the desktop back home. It makes backups easier too. PhaseOne are clever enough to include a license that installs on both your desktop and laptop, as most photographers are going to have two machines. Plus you get a series of updates for no extra cost. I bought my license in 2006 and upgraded each time I needed support for a new camera. That's great value.

But let's get back to the original reason why I love Capture One. It's fast. Studio photographers shooting a hundred shots in a day may not find this such a big deal - particularly if you're flying the latest and greatest processors on your desktop. But I still use a 3 year old laptop, I can still shoot 1,000 images in a day when truly inspired, and I still shoot a dozen variations on the same shot with a view to picking the optimum frame once I get back to the hotel.

Capture One has a huge advantage over it's competition when it comes to deleting files. sounds like an odd feature doesn't it. Imagine having a dozen frame of nearly everything you shot that day, and you have a quick way to apply your optimisations across the entire dozen and pick the premium frame. A few keystrokes and you've picked one to keep and dumped the also-rans into the trash.

My choice is pretty easy.

Most professional photographers I know have heard of Capture One but don't use it. These are guys who do a lot of studio work and have been familiar with Adobe products their whole career. I am something of an isolated case in my immediate family of photographic friends. More than a few of my travellers have been sold on the software after my workshop session on RAW processing.

It's not for everyone, and there are plenty of good alternatives. But for me, I wont use anything less.


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JUST THE FACTS



Trial version of the package is fully featured and worth a closer look, download from PhaseOne Here...

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This feature was last updated on Tuesday 05th January 2010
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  Global  Good Gear  RAW  RAW Processing  RAW Workflow  Image Manipulation  Optimisation  Capture One  Review




Good Gear

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Viltrox 28mm F4.5 CHIP for L-Mount

The fascinating and quirky Viltrox 28mm F2.5 CHIP has now been released for L-mount. This is a super small lens that pairs well with super small camera bodies such as the Lumix S9 and Sigma BF.

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I love this lens. Full frame and fully wide, this lens is sharp and straight and bright and just a wonderful bit of design. Tamron are doing really good things in the zoom space these days.

Nikon ZR Custom Setup for Stills Photography

This camera might have been built for cinema, but it's packed with credentials for stills photography as well. I walk through my custom setup for stills on the Nikon ZR here, plus a link to download and apply to your ZR too.

AF 50mm F1.8 Neo from TT Artisan

TT Artisan have made an amazingly affordable lens for mirrorless full frame cameras that opens the door to experimenting with fast primes on a budget. This lens is available for Sony, Nikon and Leica mounts.

DxO PhotoLab Discount Code

I posted a video about getting away from subscription pricing with Adobe and Capture One, so the folks at DxO reached out to offer a discount code to my readers :)


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