20mm is the new 24mm
20mm is now far more common than ever for both primes and zooms, but is 18mm the better option for photographers? And why even bother with 24mm? When shooting wider than wide does it make a difference to buy an extra few mm of perspective?
Sigma 14-24mm F2.8 - Long Term Review
This is a hard lens to leave at home. It delivers quality and sharpness for landscapes and the night sky, plus has a neat party trick with rear pocket for ND filters. Worthy companion to any full-frame mirrorless camera. (Sigma 14-24mm f/2.8 DG DN)
Sigma 28-105mm F2.8 DG DN ART
I’ve had a chance to shoot with the new Sigma 28-105mm F2.8 DG DN Art over recent weeks, and explore the light and shadows on Melbourne's streets. This is not a one-size-fits-all lens, but a very professional mid-range zoom that delivers a bright and contrasty image.
Sigma 14mm F1.4 Field Review
This is my new favourite lens for the Arctic. It’s not just for stars, and not just auroras. It’s also a creative lens choice when you want to do something a little bit different with landscape photography.
Auroras and The Lumix G9
Big auroras with a very small camera. The key is choosing the right lens, something ultra wide and ideally with fully manual operation.
Be Positive About Negative Space
Negative Space is not empty space. It's there for a reason and it can help you find a path to better composition and more intentional composition.
Rokinon 14mm DS T3.1 CineLens
A seriously affordable astro photography lens to help you chase stars, auroras and ultra wide landscapes.
Tamron Got It Covered
The Tamron 20-40mm F2.8 and 35-150mm F2-2.8 narrow the gap between primes and zoom. I didn't think I'd like these new lenses from Tamron so much, but the fact is every time I took them out to shoot I ended up with a tonne of great images. That’s a little bit annoying for a prime lens snob like myself.
Benro GX35 Ball-Head Review
Quality yet affordable option for full-frame cameras if you're looking to swap out your old ball-head for an Arca-Swiss alternative.