Benro GX35 Ball-Head Review


Good Gear




The Photography Blog

Photographic Field Guides
Practical Philosophies
Careers and Ideas
Inspiring Journeys


January 2023

Makro-Planar T* 50mm f/2 ZE
1/60th @ f/2.0
ISO 800
Lumix DC-S1H

BlueSky
LinkdIn
Facebook
100
Share Me!






Every year Ewen runs a handful of unique and marvellous tours and workshops. Find out more about what tours are coming up and how to book.

Photo Tours with Ewen






Benro GX35 Ball-Head Review
Quality yet affordable option for full-frame cameras if you're looking to swap out your old ball-head for an Arca-Swiss alternative.



The Photography Blog




I own a handful of tripods, more than I care to admit to. Some are very big and chunky, some are more travel friendly, and some are mounted on the top of a job for filming in the studio. It’s a luxury have a few to choose from. In a perfect world you want to have the same plate style on every bit of gear. Alas my world is not perfect. So when I started planning for my most recent Arctic adventure I decided I wanted to take two tripods, but only one standard for mounting plates. I needed to go shopping.

In recent years the Arca-Swiss standard has popped up all over the place. As video gear and travel tripods get lighter and smaller the Arca-Swiss plates have become common. Arca-Swiss appears in the DJI Ronin we use for smooth close-ups, and the Peak Design Travel Tripod I use on some remote adventures. Ulanzi made their own twist on the Peak Design concept, so we bought that for GoPro time lapses as well.
(See that review here: https://ewenbell.com/blog/Ulanzi_Travel_Tripod_Review).






All of these use Arca-Swiss. My favourite tripod legs for shooting auroras in Norway however is an old Gitzo set, the GT2541. They’ve survived a lot of rough treatment over the years and strike a good balance between weight and strength. What I needed was a new ball-head that would cope with full-frame cameras, quality ultra-wide lenses and the sub-zero environment of northern Norway. There are loads of ball-heads out there on the market, and the good ones tend to be pricey and heavy. I was looking for the sweet spot in terms of both weight and price.

That’s where the Benro GX35 comes in. It’s the biggest of the GX series, but still smaller than my old Gitzo ball-head. What I like about this design, other than the Arca-Swiss mount, is a single large knob to release the ball-head friction and allow movement. There’s no friction control, which to me is just another knob to get confused with when fumbling about in the dark. It does have two panning controls, one at the base and one on the plate itself, which is overkill in my view and I’d be happier with just one.

But overall the design is clean, minimal and scaled nicely for toughing it out on my Norway adventures. Mounting plates are secured with a knob that screws in cleanly, but also features a security nib that prevents unscrewing by mistake. You have to pull back the knob before trying to release.






After a month in the cold conditions of Norway the GX35 worked without a hitch. It was fine in sub-zero conditions and generally very comfortable to work with in the dark. I never felt my full-frame gear with heavy ultra-wide angle lenses was in any danger of toppling or working loose. I felt confident in the head, and it was a good match for my older carbon fiber Gitzo legs.

I had one minor gripe. There’s a notch in the ball which allows for elevations higher than normal use, which was essential for some of my aurora shoots. Mostly that was fine, although in this position the main release knob ends up in front of the camera instead of behind. I would have preferred they reversed the orientation for better access, but it’s a minor inconvenience in the grand scheme of things.

One of the problems with my older Gitzo ball heads was they don’t always retain smooth friction in the cold. I’ve never seen any lasting damage as a result, but at -10°C I’ve had issues trying move the ball precisely into position for a shot. Plus the oversized knob to lock or release the ball-head demands significant leverage to tighten properly, or to release again. In the cold conditions of the Arctic that can be both tricky and painful, with metal teeth on the knob digging into your skin. The fingerprint on my thumb would be worn smooth within a few days.

I had no such issues with the Benro GX35. The friction control remained smooth and controllable at all times, and the release knob is well proportioned for operation with or without gloves on.

Benro use a special naming code for their mounting plates, such as the included PU56, which is simply indicates a 56mm long plate. They come in a few sizes, but regardless all work with the Arca-Swiss head and they feature the concealed pins to prevent your camera from sliding off sideways. You can by the PU30 for example (30mm long) or the PU60 (60mm). The pins raise the height of the plate a fair bit, which can be a nuisance for packing a camera in your bag.

I had three camera bodies with me, each with a different Arca-Swiss plate, and every one of them worked fine. The Peak Design Travel Tripod plates play nicely, the Black Mamba cages by SmallRig work nicely and the DJI Ronin plates also play nicely. Even the plate from the Ulanzi Travel Tripod worked.

If you’re looking for a decent ball-head with Arca-Swiss compatibility, the Benro GX35 is an affordable option that delivers excellent build quality and good field performance.












Benro GX35 Low Profile Ball Head + PU56 Plate
35kg Max Payload
https://benrousa.com/gx35-lowprofile-ballhead/


  Keep Reading

Join Ewen's newsletter for monthly updates on new photography articles and tour offers...

Subscribe Here


Please Share Your Thoughts



JUST THE FACTS



Benro GX35 Low Profile Ball Head + PU56 Plate
35kg Max Payload

benrousa.com
This feature was last updated on Monday 17th April 2023
This article was published and written by

Copyright
All images and words on this web site are copyrighted and may not be used without permission.
When requesting permission to republish this article please quote reference #1312.

URL for this Article


Related Links
  Global  Good Gear  Benro  Ball-Head  Tripod

Very selected features on the hardware, software and extra wares that help me get the job done.

LUMIX G9II for Birds

Lets walk through a host of features built into LUMIX G9II that might help you to take better bird photos. We'll go through burst modes, pre-shutters, autofocus setups, and a few extra treats. There’s even a downloadable camera setup to help you get started and use the same settings that I have.



Sigma 28-105mm F2.8 DG DN ART

I’ve had a chance to shoot with the new Sigma 28-105mm F2.8 DG DN Art over recent weeks, and explore the light and shadows on Melbourne's streets. This is not a one-size-fits-all lens, but a very professional mid-range zoom that delivers a bright and contrasty image.



Custom Setup for the LUMIX S9

Download my custom setup for the LUMIX S9, along with a very full range of custom configurations directly available through the mode dial. Updated in October 2024 for Firmware V1.2.



LUMIX S9 Review

Welcome to the LUMIX S9, the new full-frame mirrorless made by stuffing the inner workings of an S5II into a tiny little camera body. Panasonic didn’t skimp on features, and even added a few new ones. Let’s take a quick look at why the new LUMIX S9 is such a great addition to the L-mount collection, and why I think it’s a tonne of fun.



Sigma 14mm F1.4 Field Review

This is my new favourite lens for the Arctic. It’s not just for stars, and not just auroras. It’s also a creative lens choice when you want to do something a little bit different with landscape photography.



S-E100 F2.8 Macro for L-Mount

The S-E100 F2.8 Macro lens for L-Mount has just been released by LUMIX, and it’s very different to anything I’ve used on a mirrorless system before. It’s a super compact lens for super small subjects, but delivers super-sized performance and in particular the Autofocus is on a whole other level.





Ewen's Photography Book



"ReIMAGINE" is now available to order online.
It's a very big and very generous book that will help you to reconnect with your creative side.


ReIMAGINE