Take it Slow at the Night Market
Last week I shared a series of stills from the Queen Victoria Market, from the reopening of the Night Market. This time I've gone back with my very modest video rig to capture a slow-motion series using the high-speed ability of the Lumix G9 and a single lens.
Keeping The Lights On
One of the great advantages of shooting with flash is you can dial-up the lighting you require any time of day, or night. It’s a seriously big advantage over natural light, consistency and quality. For the last few months we have set aside our usual flash rig for something a little bit different. Continuous LED lighting is here, and it might just be useful.
About Feeling Good
Today we got some great news as we begin our journey towards funding the Tashi project. A generous donation from someone that helps to plug a few gaps in the budget, but also just makes us feel like we're on the right path.
Why Is More Important Than How
Sometimes we focus too much on the style and not enough on substance. What motivates us to capture images is far important than the camera itself.
Priorities
In the space of a fortnight I've had the same story told to me by two different people, both of whom are very talented with a camera. They went to a workshop to learn new skills and came away with less control over their camera and creativity. They were forced to shoot fully manual and ended up moving away from their best creativity instead of towards it.
Dark and Moody Food Photography
Mastering the art of Dark and Moody food photography, and going beyond the basics of 'black box' styling. Dip into the velvet shadows and embrace your darker moods. Warning - this article may contain traces of very delicious dark chocolate.
Pentax 645Z and Capture One
You may have heard that Capture One will open DNG files from the Pentax 645Z, which is entirely true. Just don’t expect to be able to do anything especially useful beyond that.
Beyond the Studio
Travel photography is the antithesis of a commercial studio. You have no control over the available light and your models are not the kind of people who sign consent forms. Shooting in the field presents challenges that you may not find in a studio, and hence requires a way of thinking that goes beyond the studio.
Sharing the moment with Tim
I want to share a few words of appreciation for a fellow traveller, just one of many lovely people who help to make these journeys a little bit more special.
