Leica Summicron-SL 50mm f/2 ASPH
Another great fast 50mm prime for the L-mount, this time with a seriously impressive build quality that we have come to expect from Leica.
My Other Birding Lens
Panasonic Leica DG Elmarit 200mm f/2.8 – Long term review of this superb telephoto prime. How does it stand up to the 100-400mm options and how much better is the image quality?
The Best 35mm Lens for My LUMIX
If you appreciate the value of a 35mm prime lens, you’ll also appreciate that there are a good many 35mm designs to choose from now. Here are my favourite two 35mm lenses from Panasonic and Sigma, both for full-frame L-Mount bodies, and why they appeal to such wildly different photographic styles.
20mm is the new 24mm
20mm is now far more common than ever for both primes and zooms, but is 18mm the better option for photographers? And why even bother with 24mm? When shooting wider than wide does it make a difference to buy an extra few mm of perspective?
Review: Lumix GM1
I loved the GX7 released by Lumix last year, and recently I got a closer look at the teeny little brother GM1. It's so small it's crazy, but in a good way.
The Absolute Best Lens in Nepal
Very rarely a new lens comes along that changes how I think about photography. This is one of those lenses. My priority for glass is always quality over convenience, but this time you get enough of both to make it a hard one to walk past. The newly released "DG Vario-Summilux 10-25mm f/1.7 ASPH" by Panasonic+Leica is not only a great lens for MFT systems, but may well be good enough to tempt full frame owners to look seriously at adopting the smaller mirrorless format of the Lumix G series.
Three lenses from the Zeiss factory offer professional grade fast primes for APS-C sized interchangeable formats.
Tamron Got It Covered
The Tamron 20-40mm F2.8 and 35-150mm F2-2.8 narrow the gap between primes and zoom. I didn't think I'd like these new lenses from Tamron so much, but the fact is every time I took them out to shoot I ended up with a tonne of great images. That’s a little bit annoying for a prime lens snob like myself.
The Perfect Lens and Why They Dont Exist
When it comes to lenses there is no such thing as one-size-fits-all. You have to try a lens before you know if it really suits you, and sometimes you grow out of the old one and move onto something new. just like us photographers, no lens is perfect.
Soft Focus and Fine
Shallow depth of field is a powerful technique to have in your creative tool kit. It’s not just about funky portraits either, it’s good for almost every genre of photography.
Silver on a Cloudy Day
A good tripod and very slow shutters combine to make a little silver from a cloudy day. So long as you don't mind getting your feet wet, or that tripod.
S-E100 F2.8 Macro for L-Mount
The S-E100 F2.8 Macro lens for L-Mount has just been released by LUMIX, and it’s very different to anything I’ve used on a mirrorless system before. It’s a super compact lens for super small subjects, but delivers super-sized performance and in particular the Autofocus is on a whole other level.