Sigma 28-105mm F2.8 DG DN ART
I’ve had a chance to shoot with the new Sigma 28-105mm F2.8 DG DN Art over recent weeks, and explore the light and shadows on Melbourne's streets. This is not a one-size-fits-all lens, but a very professional mid-range zoom that delivers a bright and contrasty image.
Slow It Down
Walking with a macro is nice, but only works if you adjust your pace to suit the task. Macro photography is process of exploration. Slow it down. Slow. It. Down.
Sigma 105mm F2.8 DG DN Macro Art
I spent a week in the desert looking for macro level inspiration, and this lens did not disappoint. Excellent value, remarkable optics and a dreamy bokeh make this a uniquely creative lens for your kit. Available for both L-Mount and Sony E-mount.
Butterflies in Bhutan
I'm going to miss Bhutan when I head home, but this time for the most tiny of reasons. The butterflies. Having a few days to step into their miniature world of scaly wings and hairy heads has been an absolute joy.
S-E100 F2.8 Macro for L-Mount
The S-E100 F2.8 Macro lens for L-Mount has just been released by LUMIX, and it’s very different to anything I’ve used on a mirrorless system before. It’s a super compact lens for super small subjects, but delivers super-sized performance and in particular the Autofocus is on a whole other level.
Pack for Success
Finding the right balance between quality and flexibility when packing for a shoot. Once we leave the studio, the world becomes a very different place to chase cinematic captures.
20mm is the new 24mm
20mm is now far more common than ever for both primes and zooms, but is 18mm the better option for photographers? And why even bother with 24mm? When shooting wider than wide does it make a difference to buy an extra few mm of perspective?
SIGMA 60-600mm Field Review
I spent a few weeks in The Outback with the new SIGMA 60-600mm F4.5-6.3 DG DN OS SPORT L-Mount. The name is a mouthful, and the lens is a handful. This super telephoto represents the latest in AF and OS technology from Sigma, packaged into a superbly flexible and optically impressive full-frame wildlife lens. Available for both L-Mount and E-Mount.
Tamron Got It Covered
The Tamron 20-40mm F2.8 and 35-150mm F2-2.8 narrow the gap between primes and zoom. I didn't think I'd like these new lenses from Tamron so much, but the fact is every time I took them out to shoot I ended up with a tonne of great images. That’s a little bit annoying for a prime lens snob like myself.
EF to L-Mount Adaptor by Fotodiox
This is an alternative to the Sigma MC21 that lets you mount Canon EF lenses onto your new Lumix S-series bodies such as the S1R and S1H. The short version of this review is that they work just fine for AF lenses and represents excellent value.
Viltrox EF-L Pro - Quick Review
For extra stability and good compatibility, this EF-L adaptor plays nicely with the latest LUMIX bodies and older EF lenses.
Sigma 14-24mm F2.8 - Long Term Review
This is a hard lens to leave at home. It delivers quality and sharpness for landscapes and the night sky, plus has a neat party trick with rear pocket for ND filters. Worthy companion to any full-frame mirrorless camera. (Sigma 14-24mm f/2.8 DG DN)
